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Gerstener, Karl

Designing Programmes

Modernism Swiss Modernism

1964

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Topics:

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"Inspiration"
"Intellectual Property"
"Relational Aesthetics"
Active/Passive
Adorno
Aestheticization
Aesthetics
Against pragmatism
Alternative
Anti-colonialism
Anti-intellectualism
Anti-mastery
Appropriation
Architecture
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Brazilian Modernism
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Cranbrook
Creativity
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Criticality
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Cultural Branding
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Culture
Decolonising Curriculum
Defamiliarisation
Default
Default Design
Depoliticised Design
Design as problem solving
Design Discourse
Design History
Designer as Producer
Dutch Design
Dystopia
Eames
Ed Fella
Education
Emigre
Ethics
Experimental Publishing
Experimentation
Famous fights between famous designers
Feminism
Fiction
Fluxus
Fordism
Futurology
Gatekeeping
Gestalt
Glitch
Globalization
Grid
Habermas
Helvetica
High vs Low Culture
History of Typography
Horkheimer
Horror
Ideology
Imperialism
Infinite Monkeys
Information Design
Inquiry
Institutional Critique
Institutional Power
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Internet
Intervention
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Jan Tschichold
Jan van Eyck Academie
Jive Modernism
John Cage
Josef Albers
Kant
Kelmscott Press
Language
Legibility
Letterforms
Lettering
Libraries
Lorraine Wild
lowercase
Macintosh
Manifestos
Margaret van Eyck Academie
Marginalisation
Materiality
Max Bill
Media
Memes
MFA
Mobile libraries
Model
Modernism
Modernity
Monograph
Museums
Myth
Neoliberal Design
Neoliberalism
Neutrality
New Traditionalism
New Wave
Non-Intervention
Non-Western Canon
Non-Western Design
Norms
OCR
Office Politics
Order
Ornament
Otherness
Parametric Type Design
Paul Elliman
Paul Rand
Performance
Performativity
Piracy
Plagiarism
POD
Polemic
Political economy
Politics
Politics of reproduction
Post-Fordism
Post-punk Aesthetics
Post-structuralism
Postcolonialism
Postmodernism
Pragmatism
Precarity
Privilege
Professionalization
Publicness
Punctuation
Queer Communism
Queer Epistemology
Queer Marxism
Queer Politics
Racism
Radical Pedagogy
Radical Type Design
Rant
Research
RISD
Satire
Scanning
ScanOps
School
Schooling
Self-organisation
Shape-Countershape
Sheila Levrant de Bretteville
Sincerity
Socialist Modernism
Software
Solidarity
Spectacle
Stretched Helvetica
Stroke
Studios
Style
Summerschool
Surface
Sustainability
Swiss Modernism
System Fonts
Technology
Text
The Most Beautiful Swiss Books
The New Typography
The Role of the Designer
Theatre
Thesis
Timelessness
Trends
Type design
Typography
UbuWeb
Ugly
Ulises Carrión
Ulm
Utopia
Vernacular
Viewing
Web-to-Print
Weber
Work
Writing
Yale
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aaaaarg.org
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Dot Dot Dot
Eastside Projects
ECAL
Edition MK
Emigre
Eye Magazine
Frieze Magazine
GRAPHIC
Graphis
Hordaland Art Centre
Hyphen Press
Iaspis
Icographic Magazine
IDEA Magazine
Jan van Eyck Academie
Journal of Typographic Research
Kelmscott Press
Konstfack
LULU.com
Malmö Free University For Women
Metahaven
MIT Press
Niggli
Occational papers
Onomatopee
Open Editions
Peradam Press
Princeton Architectural Press
Print Magazine
Roma Publications
Schweizer Graphische Mitteilungen
Self-Published
Slanted Magazine
Sternberg Press
Strelka Press
Talk Magazine
Temporary Services
The Serving Library
The Swiss Federal Office of Culture
The Ventriloquist Press
Typography Papers
Verso
Village Voice
Vintage
Visible Language
Walker Art
Zero Books

Designer:

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Beatrice Warde
Ben DuVall
Christoph Knoth
Ellen Lupton
Eric Gill
Francisco Laranjo
Hagen Verleger
Harry Gassel
J. Abbott Miller
Jack Clarke
Jacob Lindgren
James Langdon
Jan van Toorn
João Doria
Jonas Williamsson
Jonathan Hares
Josef Müller-Brockmann
Laura Pappa
Louis Lüthi
Martin Frostner
Metahaven
Michael Rock
Minna Sakaria
Muriel Cooper
Nicole Udry
Nina Støttrup Larsen
OK-RM
R. Gerald Nelson
Richard Hollis
Rudy VanderLans
Sara De Bondt
Shin Donghyeok
Simon Davies
Stuart Bailey
Studio Pandan
Temporary Services
Tereza Rullerová
Wayne Daly
William Morris
Wucius Wong
Yun Yu
Zak Group
Žiga Testen